Culture

Theater Review: Legally Blonde

LEGALLY BLONDE. Book by Heather Hach; music and lyrics by Laurence O’Keefe and Nell Benjamin; directed and choreographed by Nick Sugar. Produced by Town Hall Arts Center (2450 West Main St., Littleton) through June 19. Tickets available through 303-794-2787 ext. 5 or www.townhallartscenter.org. Two or three years ago, a bright young singer played Guinevere in

Theater Review: Biloxi Blues

BILOXI BLUES. Written by Neil Simon; directed by Kate Gleason. Produced by Miners Alley Playhouse (1224 Washington St., Golden) through June 26. Tickets available at 303-935-3044 or www.minersalley.com. Miners Alley produced Neil Simon’s BRIGHTON BEACH MEMOIRS last season, and the current show is the second in the Simon trilogy. I truly hope this means that

Theater Review: Elemeno Pea

ELEMENO PEA. Written by Molly Smith Metzler; directed by Samantha Vakiener. Produced by Misfits Theater CompanyMisfits Theater Compan (Performed at the VooDoo Comedy Playhouse, 1260 22nd St., Denver) through June 5. Tickets available at the door or at www.misfitstheater.com. This new company proves to its audience that all you need to create a winning theater performance

Boulder’s Disappearing Glaciers

The Arapaho Glacier remains an important water source for Boulder By Terri Cook On July 14, 1900, Boulder pharmacist Eben G. Fine was in the mountains west of town, visiting the owner of a mine in the vicinity of Silver Lake, the lowest and largest in a string of glistening alpine lakes tucked into the

Are You ‘Boulder Athletic’?

Where do you fall on the Boulder athletic spectrum? Take this quiz to find out.

Boulder-based coalition heals Indian boarding-school trauma

Let the Healing Begin By Kay Turnbaugh The story of America’s Indian boarding schools remains a little-known chapter in our history. Beginning in the 1800s and continuing into the 1950s, the federal government forced Native American children from their homes and sent them to often faraway military-style residential schools, a policy that had profound effects

Theater Review: The Blue Room

THE BLUE ROOM. Written by David Hare; directed by Charles Wingerter. Produced by Lost and Found Productions (Performed at the Bug Theatre, 3654 Navajo St., Denver) through May 22. Tickets available at 303-477-5977 or www.lostandfoundproductions.net. THE BLUE ROOM is David Hare’s 1998 modernized take on REIGEN, a play written by Arthur Schnitzler one hundred years

Theater Review: Time of My Life

By Beki Pineda TIME OF MY LIFE. Written by Alan Ayckbourn; directed by Ian Gerber. Produced by Theater Company of Lafayette (Mary Miller Theater, 300 East Simpson St., Lafayette) through June 4. Tickets available at 800-838-3006 or www.tclstage.org. Alan Ayckbourne likes to play fast and loose with time in this production. The evening opens and

Theater Review: Sunset Boulevard

By Beki Pineda SUNSET BOULEVARD. Music by Andrew Lloyd Webber; book and Lyrics by Christopher Hampton; directed by Craig Bond and Evgueni Mlodik. Produced by Vintage Theatre (1468 Dayton St., Aurora) through May 29. Tickets available at 303-856-7830 or www.vintagetheatre.org. Long before I had ever seen any version of this show, I had fallen deeply

Theater Review: November

By Beki Pineda NOVEMBER. Written by David Mamet; directed by John Ashton. Produced by the Avenue Theater (417 East 17th Ave., Denver) through May 21. Tickets available at 303-321-5925 or www.avenuetheater.com. Earlier this season we went “All the Way with LBJ.” Now we get a slightly different angle on a Presidential re-election campaign. Charles Smith

Theater Review: South Pacific

By Beki Pineda SOUTH PACIFIC. Written by Oscar Hammerstein II and Josh Logan; music by Richard Rodgers; lyrics by Oscar Hammerstein II; directed by Patrick Sawyer.  Produced by Candlelight Dinner Playhouse (4747 Marketplace Drive, Johnstown) through May 8. Tickets available at 907-744-3747 or www.coloradocandlelight.com. It all started with Bloody Mary. She was the subject of

Theater Review: Futura

By Beki Pineda FUTURA. Written by Jordan Harrison; directed by Meridith C. Grundei. Produced by The Catamounts and performed at Nomad Playhouse, 1410 Quince Ave., through April 16. Tickets available at 720-468-0487 or thecatamounts.org. Futura is a typographical font—clean and lean—created by Paul Renner in 1927 in response to the frilly, serif-ridden fonts then in

Theater Review: Elliot, A Soldier’s Fugue

By Beki Pineda ELLIOT, A SOLDIER’S FUGUE. Written by Quiara Alegria Hudes; directed by Chip Walton. Produced by Curious Theatre Company (1080 Acoma St., Denver) through April 23. Tickets available at 303-623-2349 or www.curioustheatre.org. The number three has various mystical meanings, but in all societies, it is the number of time. Past, present, future; beginning,

Theater Review: Ragtime

By Beki Pineda RAGTIME. Book by Terrance McNally; music by Stephen Flaherty; lyrics by Lynn Ahrens; directed and choreographed by Kelly Van Oosbree. Co-produced by Performance Now Theatre Company and the Lakewood Cultural Center (performing at LCC, 470 South Allison Parkway, Lakewood) through April 10.  Tickets available at 303-987-7845 or www.lakewood.org. Get them before they

Theater Review: The Mountaintop

By Beki Pineda THE MOUNTAINTOP. Written by Katori Hall; directed by Gavin Mayer. Produced by the Arvada Center (6901 Wadsworth Blvd., Arvada) through April 17.  Tickets available at 720-898-7200 or www.arvadacenter.org. Katori Hall, the playwright of this startling script, has a vivid imagination. She pondered the interim between Dr. Martin Luther King’s “I’ve been to

Theater Review: The Ghosts of Us

By Beki Pineda THE GHOSTS OF US. Written by Rebecca Gorman O’Neill; directed by Melissa McCarl. Produced by the Athena Project (performing in the Byron Theatre at the Newman Center, 2344 East Iliff Ave., Denver) through April 10. Tickets available at 303-219-0882 or www.athenaprojectfestival.org. A word about the Athena Project first. This is a once-a-year

Theater Review: You Can’t Take It With You

By Beki Pineda YOU CAN’T TAKE IT WITH YOU. Written by Moss Hart and George S. Kaufman; directed by Jamie Billings. Produced by Miners Alley Playhouse (1224 Washington St., Golden) through May 1. Tickets available at 303-935-3044 or www.minersalley.com. The conversation around a lot of family dinner tables centers on the day’s accomplishments, college plans,

Theater Review: Tigers Be Still

By Beki Pineda TIGERS BE STILL. Written by Kim Rosenstock; directed by John Ashton. Produced by the Avenue Theatre (417 E. 17th Ave., Denver) through April 2. Tickets available at 303-321-5925 or www.avenuetheater.com. A tale of how families pull together. A pair of sisters facing disillusionment and heartbreak find ways to get through this rough

Theater Review: Black Elk Speaks

By Beki Pineda BLACK ELK SPEAKS. Based on the book by John Neihardt, adapted for the stage by Christopher Sergel; directed by donnie l. betts. Produced by the Aurora Fox Theatre (9900 East Colfax, Aurora) through April 10. Tickets available at 303-739-1970 or www.aurorafox.org. BLACK ELK SPEAKS is a history lesson told and illustrated by

Soundwall: a framed canvas that gives off sound

Art literally sings in a new kind of speaker: the Soundwall, a framed canvas that gives off sound.

Theater Review: Fuddy Meers

By Beki Pineda FUDDY MEERS. Written by David Lindsay-Abaire; directed by Emily Tarquin. Produced by Phamaly Theatre Company at the Aurora Fox Arts Center through Feb. 21 (9900 East Colfax, Aurora) and the Arvada Center from Feb. 26-28 (6901 Wadsworth Blvd., Arvada). Tickets available at the Fox at 303-739-1970 or auroragov.org or at the Arvada